A radical history of technology told through acts of resistance, not progressThe history of technology is often told as a history of progress, moving optimis...
An archive of the TechnoMirage event series, bringing together exhibitions, talks and artist interviews that examine the illusion of progress projected by AI and exploring how creative practitioners can reclaim agency through exhibitions, discourses, and practices that shape more equitable relationships with emerging technologies.
Today our world is under the watchful and tireless eye of computer vision, with cameras and monitors tracing our every move. Furthermore, generative AI is now able to render a synthetic world indistinguishable from reality for us to explore. Trevor Paglen goes in search of the ways and means of understanding this new
In a world of endless predictions and precision algorithms The Power of Maybes offers a daring new way forward.What if uncertainty isn't a problem to solve, but…
Command-line interfaces (CLIs) share some linear and textual features with contemporary AI-driven chatbots. This commentary considers what a prompt is in both CLIs and generative AI, arguing that the former already highlights key features of processes of ideation and execution in computation.
Helen Job (@hbomb2025) • Instagram photos and videos
297 likes, 1 comments - thegood_list on May 28, 2025: "What it’s like to bring AI into a human creative practice, with caution and curiosity. 🌊
For ISSUE 2 of The GOODStack, Curated by the wonderful @hbomb2025, we’ve invited Philip Maughan to write about his own relationship to AI in his practice. We urgently need voices from outside the tech industry to help shape the future of AI, Philip’s essay is one of those voices. A grounded, inquisitive take on what it means to engage with AI from a creative lens.
Visit thegoodstack.substack.com to subscribe and let us know how you’re integrating AI with curiosity into your own practice. 🌀💙
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@pjmaughann is a writer and researcher working on creative and commercial projects based in London. His essays on food technology, simulations, fashion, and the evolution of humanity can be read at BBC Future, Noema, Tank, Kaleidoscope and elsewhere. He has worked with a range of brands and institutions on everything from campaign copy to speculative design, some of which include Prada, MoMA, Stone Island, Antikythera, Modem and Deloitte Ventures.
#thegoodlist".
Artificial intelligence (AI) is often discussed as something extraordinary, a dream—or a nightmare—that awakens metaphysical questions on human life. Yet far from a distant technology of the future, the true power of AI lies in its subtle revolution of ordinary life.
We are seeing a generation of tools built without critically rethinking the purposes they are meant to serve or their role in the broader world. Could we do it differently?
Current research in “plural alignment” concentrates on making AI models amenable to diverse human values. But plurality is not simply a safeguard against bias or an engine of efficiency: it’s a key ingredient for intelligence itself.
AI Generated Business: The Rise of AGI and the Rush to Find a Working Revenue Model
By Brian Merchant In This Article Introduction OpenAI and the Generative AI Boom Silicon Valley Mythology, Distilled and Accelerated From “Safe AI” to AGI — and the Hype-Led Business Model Genesis Marketing AGI, Shipping Commercial AI The Dream of AGI and the Fully Automated Organization Acknowledgments Download the full report here INTRODUCTION In the spring of […]
Can Artificial Intelligence be biased? On the critique of AI's 'algorithmic bias' in the arts
This working paper is dedicated to artistic positions that critically deal with ‘artificial intelli- gence’ and automated pattern recognition through algorithms. Using a series of examples, it shows the social struggles that results from the distortions of bias and how artists react to it. Building on analyses by Harun Farocki and Hito Steyerl, projects by Adam Harvey and Jules LaPlace, Zach Blas and Jemima Wyman, Elisa Giardina Papa, Francis Hunger and Flupke, Erika Scourti, Mimi Onuoha, Nora Al-Badri, and Jan Nikolai Nelles are presented.
Why ‘open’ AI systems are actually closed, and why this matters
Nature - A review of the literature on artificial intelligence systems to examine openness reveals that open AI systems are actually closed, as they are highly dependent on the resources of a few...