93 likes, 0 comments - dock_digital_berlin on May 20, 2026: "Program Update #3: Skill Sharing Sessions + New Venue
 A short update: Due to the safety closure of the TU main building, Reclaiming Data has found a new venue: the symposium and exhibition will now take place at @flutgrabenberlin . We’re very happy to introduce the three Skill Sharing Sessions accompanying the symposium — small-group, hands-on encounters with the technologies that increasingly shape what we remember. Each session is led by an artist whose practice opens AI, archives, and platform infrastructures to critical and creative scrutiny.
 → Unreal Data — Real Effects with @mediengruppe_bitnik 
A critical and performative session on digital rating practices, online reviews, and how platforms shape our perception of place. → AI Sound and Cultural Memory with @allapopp 
A hands-on insight into an artistic AI workflow, based on Virtual Tatar Choir and the use of personal and archival recordings of rural Tatar singing. → Memory Machines with @mvzmuehlen 
A session introducing Will the Revolution Not Be AI Scripted?, an interactive installation working with AI-mediated voices of resistance, archival gaps, and critical fabulation. The three sessions run in parallel — please choose one when you register.
 🗓 13 June 2026
🕙 10:00–11:30
📍 Flutgraben e.V.
Am Flutgraben 3
12435 Berlin Limited to 15 participants per session. Free admission, registration via Körberstiftung.de and eventbrite, the link is in the bio.
💻 Please bring your own laptop for the Bitnik session. 
Exhibition @flutgrabenberlin 
🗓 12–21 June 2026
Opening: Friday, 12 June, 17:00 
For the full programme, check the link in bio. Reclaiming Data is a collaboration by @dock_digital_berlin , @new__practice, @designandcomputation , and @ecommemoration. Supported by @technologiestiftung Berlin and @centerforliterature – Center for Literature.
Curated by @jonnybixbongers . Design by @yunkuo__ #ReclaimingData #SkillSharing #AIandSociety #DigitalArchives CulturalMemory GenerativeAI DataPolitics Flutgraben BerlinArt".

index_space on May 19, 2026: "In a new class with Nitzan Hermon, we’ll explore how AI can function as a thinking aid rather than just a productivity tool. Instead of optimizing for faster outputs, the session focuses on using computational thinking to clarify intention, surface hidden assumptions, and hold better questions open for longer. Designed for anyone already using AI in work or creative practice — no technical background required — this 90-minute session introduces practical frameworks, prompts, and patterns for engaging with AI more intentionally. Come for this first session, and, if your interest is piqued, take $100 off the full 3-month course.".

25 likes, 2 comments - ramlaanshur on May 13, 2026: "Reimagining AI: Exploring Cultural Narratives for AI Futures in 2035 ✨ Join me on a journey to deconstruct the narratives shaping the imagination of the British Somali diaspora, decolonise our perspectives by exploring personal and cultural artefacts at @culturehouseorg, and crafting new narratives for more just and culturally rooted AI futures. If you are of Somali heritage, used AI in some capacity (this includes chatGPT!), and willing to stretch your imagination, you are welcome to join! All sessions are free, and meals provided at the in person ones. You can sign up for 1 or more workshops below: 1. Decoding AI Narratives - 28th May (online) 2. Crafting New Imaginaries 1 - 4th June (Culture House) 3. Crafting New Imaginaries 2 - 11th June (Culture House) 🎟️ Link for tickets and more details in my bio! Limited spaces available so sign up now!".

50 likes, 1 comments - securityvisionproject on May 12, 2026: "👁️ WATCHING MACHINES: Life under Algorithmic Eyes 18 / 19 / 20 June · Grey Space in the Middle, The Hague For three days, Cyan Bae (@chaeyuenbae), Francesco Ragazzi (@francesco.ragazzi) and Ruben van de Ven open up five years of the ERC-funded Security Vision project — the films, installations and data work that came out of asking: what does it mean to live under algorithmic eyes, and how do we look back? 🗺️ On view: ▪︎ Two collective interactive data visualisations mapping the global field of security vision: 837 deployments, 2,181 institutions, 131 countries. A first attempt to make the infrastructure of algorithmic surveillance visible at a glance. ▪︎ Welcome to Set by Cyan Bae (premiered at IFFR 2026, Tënk Opening Scenes Award at Visions du Réel). What happens on the sets where AI emotion-recognition systems are trained? Cyan reenacts the strange, playful labour of generating "ground truth" for machines designed to read our faces + Work-in-progress excerpts from Cyan's two upcoming shorts in the deception-detection trilogy. ▪︎ A preview of "An Algorithm of Violence", Francesco Ragazzi's essay film following a software engineer building a violence-detection algorithm. What does it mean, ethically and aesthetically, to teach a machine to recognise a punch? ▪︎ "Perplexity" by Ruben van de Ven (previously at NEXT LEVEL, Dortmund). A camera, a computer and a laser projector predict your path across the room and trace it at your feet. Walk normally, and you become legible. Walk strangely, and you become suspicious. The algorithm's error becomes a measure of suspicion. 📅 Programme 🥂 Wed 18 — opening night 🎙️ Thu 19 — public programme with policy makers, artists, researchers and activists 🖼️ Fri 20 — exhibition day Free entry. Come look at the machines that are looking at you. 🔗 More info + RSVP: [LINK IN BIO] #WatchingMachines #SecurityVision #AlgorithmicSurveillance #FacialRecognition #CriticalAI #ComputerVision #DocumentaryFilm #EssayFilm #DataVisualisation #SurveillanceStudies | @thegreyspaceinthemiddle @recntr.leiden @erc_research @polscileiden".

15 likes, 0 comments - minus1nieuweinstituut on May 5, 2026: "The symposium ‘The Other AI’ takes place in Rotterdam across 8th and 9th of May. It is cohosted by V2_Lab for the Unstable Media and the Nieuwe Instituut’s -1 Digital Lab, in collaboration with Queer Analysis study group at the University of Amsterdam. Link in bio for more info and tickets.".

index_space on March 31, 2026: "Do we need better AI, or a different framework entirely? Living Room Lectures presents a guest talk by Serena Dokuaa Oduro, AI policy expert and poet, exploring how Black feminist thought can reshape the way we understand and build technology. Drawing from her work in governance and poetry, Serena reframes AI not as neutral innovation, but as something deeply shaped by political and social forces, and asks what it could become if rooted in different values. Lecture + discussion, with time to mingle before and after. Register at the link in bio!".

sfpc.study on March 24, 2026: "In this workshop taught by @samlavigne & @maurabrewer, participants will learn how to find who or what they’re looking for through a variety of code-based and manual research methods and techniques. ¸.·´¯·.¸.·´¯·.¸.·´¯·.¸.·´¯·.¸ ▻ April 25 (1-6pm) & 26 (1-4pm) ▻ @creativetime, 59 E 4th St floor 7, NYC ✿ Sign up by April 18 at 11:50pm ET - 🔗 in bio of @sfpc.study".

144 likes, 2 comments - schoolofma on March 24, 2026: "Why does this course incorporate training AI models on our own data? "A core part of this course involves students training models on their own faces and bodies, and that's rooted in two issues I think are deeply connected. The first is data sovereignty. Our bodies and behaviors are constantly being collected, used to regulate, target, and surveil us by platforms and authorities alike. We're told our data isn't ours the moment we share it, and then a distorted, flattened version of ourselves gets fed back through the same systems that profit from keeping us hooked on that reflection. The second is creative agency. These tools are being developed irresponsibly, most people don't understand how they work, and so whatever gets made with them tends to feel like it belongs to the machine rather than the person. That passivity is just another form of the same dispossession. Training on your own data is a small but meaningful act of resistance to both dynamics. You're taking the logic of these systems and redirecting it through your own intentions, your own body, your own aesthetic and critical framework. It won't fix the structural problems, but it builds the kind of hands-on, embodied understanding that I think artists and thoughtful practitioners urgently need to bring into this space right now." ❤️ @__fetter__ Latent Bodies 30. March - 4. May (no class 27. April) Online! Five-weeks, Mondays, 7-9PM CET For more info and to sign-up, link in bio Taught by Jess Tucker (they/she), an American and Dutch artist currently based in Berlin. Their performances and installations combine video, electronic music, prints, sculptures, and digital interactivity to playfully examine how machinic mediation shapes our experiences of embodiment, selfhood, and desire. Their work has been featured in international exhibitions and performance programs, including Rewire Festival, FOAM Museum of Photography, Goethe Institut, Sónar+D, the Van Gogh Museum, Mana Contemporary, and the International Museum of Surgical Science.".

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